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Showing posts with label NPR. Show all posts
Showing posts with label NPR. Show all posts

Our Man in Istanbul: Jason Goodwin's Investigator Yashim series | 2006-2014

2.06.2017
The first of five in the series, image from here
"Yashim arrived early at the little restaurant beneath Galata Point and chose a quiet alcove that overlooked the channel of the Bosphorus. The Bosphorus had made Istanbul what it was: the junction of Europe and Asia, the pathway from the Black Sea into the Mediterranean, the great entrepot of world trade from ancient times to the present day. From where he sat he could watch the waterway he loved so much, the narrow sheet of gunmetal that reflected back the shape of the city it had built."
- The Janissary Tree, p. 45

The Sum of It:
Having read all five of Jason Goodwin's Investigator Yashim, the Ottoman Detective books over the last month, it's obvi a bit difficult to summarize them all! You see the first one, The Janissary Tree, at the top of this post, but the others are also great: The Snake Stone, The Bellini Card, An Evil Eye, and The Baklava Club. The author studied Byzantine history at Cambridge, and through these books brings his vast knowledge of the past in this unique and gorgeous part of the world to bear along with his personal observations of Istanbul and its surrounding environs. This is easily the most captivating feature of the series. I've never visited Turkey, or Greece (much to my chagrin) but each of these books paints such a clear and detailed picture of the architecture of palaces, tenaments, mosques, Turkish baths, and cathedrals of the cities at the mouth of the Golden Horn, not to mention the bazaars, coffee shops, and scenes along the river, that I can picture it all so clearly I feel an almost startling sense of familiarity when I run across a photograph of Istanbul in a magazine or on Instagram. 

Each of the books in the series feature a eunuch named Yashim who works for the Ottoman Sultan as a bit of an investigative jack-of-all-trades in the mid- to late-19th century. One of the girls in the harem is found strangled? Call in Yashim. A dead soldier found in a giant tin pot? Yashim gets woken up in the night to check it out. The young Sultan wants to track down a portrait of one of his illustrious ancestors across the water in Venice? Yashim better figure out what to do. Along the way, we get to know some of his best friends in the city who help him out of scrapes, tell him stories, and eat dinner with him (more on that in a bit #YUM): the last Polish ambassador in the world, Palewski, a retired transvestite dancer, Preen, a Greek farmer and produce dealer, George, and a range of beautiful ladies who swoon at Yashim's feet (that part of the stories is always a bit silly, but kind of adorbs). In the third book, The Bellini Card, Yashim hands the reigns of mystery solving and carrying the narrative over to his pal Palewski for most of the book, which was kind of tricky to get used to for a while, but came together nicely in the end amid gorgeous scenes of fencing matches with penniless Venetian royalty in crumbling ballrooms and journeys through the canals of the water-bound city. 

What initially drew me to these books in the first place goes back to Yashim making dinner for his friends. I first heard about them a few months ago in a story Mary Louise Kelly did on NPR's Morning Edition about a recently released cookbook called Yashim Cooks Istanbul. She shared her delight in the twisty and clever mystery/thrillers as well as excerpts of the beautifully written text and most of all, the loving depictions of Mediterranean food throughout these books, for Yashim loves to cook. He finds it pleasurable and meditative, it helps him sort his thoughts and provides him a way to clear his head. And boy, if book writing doesn't work out for Jason Goodwin, I'd like to recommend a career as a food critic, because the descriptions of each meal leave me drooling. For example: 

"The rice had gone clear, so he threw in a handful of currants and another of pine nuts, a lump of sugar, and a big pinch of salt. He took down a jar from the shelf and helped himself to a spoonful of oily tomato paste, which he mixed into a tea glass of water. He drained the glass into the rice, with a hiss and a plume of steam. He added a pinch of dried mint and ground some pepper into the pot and stirred the rice, then clamped on a lid and moved the pot to the back of the stove." (The Janissary Tree, p. 16)

I MEAN, I'll have what he's having. This happens all over all these books, and it is truly gorgeous. After I heard the NPR story, I knew I was going to have to read these books and get to know Istanbul and its cuisine a bit better. 

The YOA Treatment:
I have been recommending these books to everyone I meet, basically, because I think they're so special. The Janissary Tree is probably my favorite non-Agatha read in at least a year. Perhaps its having spent a year of reading mostly about the English countryside, which for all its delights, does not tend to pull on one's appetites. While the mysteries are often good, particularly in the first book (the absolute best of the bunch, in my opinion, and very nearly perfect), it's probably not surprising that what I love most about these books is how they provide a unique way to get to know a city across the globe, and across time. The scenes and characters are beautifully drawn, and immerse you in Yashim's world in a truly glorious way. 

Though these books are set in the past, there's nothing musty about the settings or the stories. Yashim and his friends seem like fascinating people you'd like to have in your life, which is one reason I was so sad when I realized there were only five of these books! The author weaves intricate historical detail about politics, religious customs, and even the Byzantine system for transporting water across the city of Istanbul into these stories with an expert hand so that every piece of information feels sparkling and vital. While the intrigue and eagerness for Yashim to solve the crimes certainly keeps the pace up, the joy of learning about this unique place and point in time is just as compelling. 

Now to fetch the cookbook and try my hand at some of Yashim's mouthwatering recipes! 

- E. 

Bonus Read: Christopher Bollen's Orient | 2015

6.09.2016
(Grab a copy of Orient at your local bookstore, or Amazon!)
"What else can I tell you that you won't believe? That I saw the killer's face the night I left? I did. I held a flare into the darkness and saw a face so familiar that anyone might pass it on the sidewalk and not blink an eye. They might even say hello." -Orient, p. 6

Clearly we are in the zone this year, reading a book a week in order to meet the goals of our project. Being bookish, of course, we often wish we had more time in the day to take in additional tomes, and the Memorial Day holiday weekend afforded us a bit of said coveted time for bonus reading! We had a long list of potential candidates, but when we learned of author Christopher Bollen's Agatha Christie fandom, we knew his 2015 mystery/thriller Orient was the book for us!

Twitter revealed Bollen as a fellow fan, and led us to this super fun Daily Beast article accounting his pilgrimage to Greenway House, Agatha's home in Torquay (the article is really a great read and offers us lots of fun tidbits about the Queen of Crime). We got even more excited about reading his tale of crime after identifying with this description of his own childhood:

"My only recreation during sixth and seventh grade was reading Christie. I craved her murders. I envisioned myself strolling through the village of St. Mary Mead or attending an archaeology dig in Mesopotamia alongside Poirot and a number of suspicious, well-tailored aristocrats."

We second that emotion! Bollen explains that he got his start as a grade-school writer, crafting Christie-inspired tales of crime with lots of murders and female murderers, but drifted away from detective stories as he grew up, favoring more "literary" literature. Eventually, as we all do, he circled back to his childhood interests and decided to try his hand at mystery writing, taking inspiration not only from Agatha's clever, puzzling mysteries, but also her deft depiction of place and characters. 

Though the name of the town where he set his book (inspired by a real life town on the North Fork of Long Island) coincidentally echoes one of Agatha's most well-known books, Bollen writes "I liked that my Orient held a quiet acknowledgement of the master."

Thusly, we present our Year of Agatha review of Orient, an NPR Best Book of the Year!

The Sum of It:
We enter the story through a mysterious prologue, a message to readers from the main character at the end of the story, the first of many ably executed Christie call-backs in the book. The character, Mills Chevern (an adopted name), hooks you with his own background, but also with statements such as: 

"It is hard for me to picture those first days without seeing the madness that was to follow. I realize now that the deaths in Orient would have happened whether I made my way east or not. They were like matchsticks in a book waiting neatly to be ripped and burned."

UH, YEAH! TELL US MORE.

Mills, a teenager who grew up in foster care in California and made his way to New York City, gets taken in by Paul, a friendly architect with "the head of a lion," who by way of helping Mills get clean takes Mills out to his summer house in the small coastal town where Paul grew up, Orient. Mills finds himself dropped right in the middle of some standard suburban-style strife, old-timers who resent newcomers disrupting idyllic village life, battles between members of the village historical board on how best to preserve their place, some desperate housewife action, husbands looking to prove their virility, and rebellious teens. Mills finds that Orient has also become home to some cosmopolitan artists hoping to find their creativity stoked by the pastoral setting. 

Mills finds himself a bit of a polarizing figure in town, a scraggly young stranger who arrives just before a series of local murders rocks the village, paired with the periodic washing up on the shore of creepy mutant animals, presumably the bi-products of a government laboratory on a nearby island. Even so, he has a few friends in town, his benefactor, Paul, Beth, a native of Orient who has returned from a stint in New York with her artist husband, and the handsome, angsty teen next door, Tommy (who is maybe not so much a friend as a fascination #crushing #hearteyes). From the time the first dead body turns up in the bay, all eyes are on the poor guy who just wants to help Paul clean out his house and form something like a normal life. 

The tension in the tale builds like music, starting slow, then gathering like dark storm clouds rolling in from the ocean. You can almost hear the Jaws theme getting faster and scarier as the pages turn, which explains why it was 1:42 a.m. when Emily finished the book and sent a photo of her totally surprised/impressed face to Audrey.

The YOA Treatment:
This was a delicious, compelling mystery with some major Agatha elements. We got fooled by some totally classic red herrings, and Bollen's keenly crafted depiction of the tensions in village life definitely remind us of a heightened version of the tea and scandal found in St. Mary Mead. In particular, one of the twists amid the reveal of the killer is SUCH an Agatha move, which we obviously can't tell you about here because you should for sure read this book, but it's just an added little element to help explain the motive of the killer that adds a hint of spice and a little more depth to the story. 

The setting of the book comes alive, perhaps particularly so due to recent consumption of similarly set tales, including Showtime's The Affair, set in Montauk, the Harrison Ford/Greg Kinnear version of Sabrina #ontheNorthShoreofLongIsland (David did a GAP AD), and of course F. Scott's perfect tale of West Egg, The Great Gatsby. It simultaneously made us want to visit a Long Island seaside village and NEVER visit such a village because #MURDER. 

As an aside, one of the more interesting descriptive elements in the book which eventually made us chuckle was Bollen's choice of words in describing everyone's skin tones. At one point we started asking ourselves, is everyone in this town supposed to be an alien, or has dear Bollen developed a sort of color-blindness specific to skin? There are at least eight different instances of totally alive people being described with skin in tones of blue, green, and grey; "her skin as gray-green as algae," "light hair and skin-color, that of a mildewed paperback novel," "his complexion was a shade of yellow-green," "the pewter pallor of her skin," and even someone, an alive someone, described as having cheeks the color of blueberries #ghostpeople #reversesixthsense? Certainly lent a distinct tone to all the people in town! 

While we feel like Agatha has had an inspirational effect on most mystery writers today, whether in her ability to create a Rubik's-style puzzle in each element of the story or her talent for really persuasive red herrings, we really enjoyed reading a totally new thriller bold in its embrace of Agatha's influence. We recommend fitting this into your library as well.

-E. & A. 

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