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Showing posts with label POISON!. Show all posts
Showing posts with label POISON!. Show all posts

Don't You Know That You're Toxic? | Agatha & Poison

7.14.2016
This is an actual photo of Agatha in her WWI nurse outfit from the Agatha Christie Archive! We found it in this really interesting article from The Telegraph about how WWI influenced Agatha and her writing. Give it a read!
It's no secret (certainly not from those of you who've read a few books) that poison is one of Agatha's favorite weapons. She gets pretty creative with it at times, sometimes it's a mysterious tribal potion on the tip of a tiny tiny dart, sometimes it's mixed in with some coffee, and sometimes it's dissolved in a nice champagne cocktail #SparklingCyanide. As a part of our month with the #MaidensofMurder, we wanted to do a post looking into Agatha's interest and expertise in poisons as a murder weapon #ladieschoice #accordingtomostfictionaldetectives

The article we referenced in the photo caption notes that Agatha's work as a WWI nurse was pretty grim stuff, despite her own "stiff upper lip" attitude anytime she writes about it. She experienced quite a bit of grisly wounds and surgeries as she was caring for the soldiers who came through her hospital. As the article points out, despite this firsthand experience, she seems to prefer writing about the "clean method of poisoning." In fact, Agatha's first murder was a poisoning, in The Mysterious Affair at Styles. She got the idea to write a detective story while she was working in the dispensary at her town's wartime hospital. In her own words:

"It was while I was working in the dispensary that I first conceived the idea of writing a detective story. The idea had remained in my mind since [my sister] Madge's earlier challenge--and my present work seemed to offer a favourable opportunity...I began considering what kind of  detective story I could write. Since I was surrounded by poisons, perhaps it was natural that death by poisoning should be the method I selected."

She goes on to explain how terrifying working in the dispensary was at first, and how cautious and nervous she and her fellow amateurs were, but also points out what she learned during that time:

"After working in a hospital with several doctors one realizes how medicine, like everything else in this world, is very much a matter of fashion: that, and the personal idiosyncrasy of every medical practitioner."

This understanding of the idiosyncrasies of medicine and the physicians who prescribe it inspired some of Agatha's craftiest murderers. We certainly know one creepy doctor gave her some material, which she also describes in the autobiography:

"One day, seeking perhaps to impress me, he took from his pocket a dark-coloured lump and showed it to me, saying, "Know what this is?" "No," I said. "It's curare," he said. "Know about curare?" 

I said I had read about it. 

"Interesting stuff," he said, "very interesting. Taken by the mouth it does you no harm at all. Enter the bloodstream, it paralyzes and kills you. It's what they use for arrow poison. Do you know why I carry it in my pocket?"

"No," I said, "I haven't the slightest idea." It seemed to me an extremely foolish thing to do, but I didn't add that.

"Well you know," he said thoughtfully, "it makes me feel powerful." [#terrifiedeyesemoji]

She goes on to talk about how she had often wondered about him after she finished working with him, saying "He struck me, in spite of his cherubic appearance, as possibly rather a dangerous man [#noshit]. His memory remained with me so long that it was still there waiting when I first conceived the idea of my book The Pale Horse--and that must have been, I suppose, nearly fifty years later."

Here's hoping that guy never murdered anybody. But thanks to him, and to Agatha's wartime pharmacy experience, her imagination created a lot of our favorite mysteries, including Sparkling Cyanide, this month's #MaidensofMurder read! Our month of maidening continues next week with a post about the short story that led to Sparkling Cyanide, leading up to our review of the book itself!

- A. & E.

Intro to Agatha: The Mysterious Affair at Styles | 1920

1.09.2016
(image found here)

"The company once assembled, Poirot rose from his seat with the air of a popular lecturer, and bowed politely to his audience. 'Messieurs, mesdames...'" -The Mysterious Affair at Styles, p. 160-161.

Welcome to week one of The Year of Agatha! There is no better place to kick off a year of reading through Agatha Christie's complete works than where it all began: The Mysterious Affair at Styles. (FUN FACT: This book was Agatha's first hit, other than a few short stories she had published here and there, and she was so pumped that she named her first house Styles, after this fictional Essex manse.)

The Sum of It:

A cast of thousands (well not literally...):
(But seriously there are a lot of charming auburn haired ladies and manly landed gentry. Plus a troup of Belgian refugees. And farmers. #digress) Styles is the first time we meet Agatha's beloved Belgian: Hercule Poirot. Charming, already notoriously proficient at his job as a detective, "dandified" and astute as they come, we can immediately see why Agatha came back to him again and again, with the reading public in tow. But Poirot is not the only Christie staple we meet in Styles. Captain Arthur Hastings, Poirot's loyal (although prone to being a bit dim and completely lacking self-awareness) companion, begins his long-standing tradition of narration with this case. We also meet Scotland Yard's Chief Inspector James Japp ("Jimmy Japp!" as Poirot calls him) who, despite seeming wholly incompetent at solving crimes, remains with us through the entirety of the Poirot universe (and sometimes moonlights in other books!).

How the "coco" crumbles:
Thirty-year-old Hastings, home in England from the front lines of WWI, spends his month of sick leave with his old pal, John Cavendish, at the Cavendish family estate: Styles. It's all fun and games until John's kind (yet also fairly bossy and with dubious taste in fellas) mother, Emily, dies suddenly in the night. The doctors (yes, two of them show up) cry POISON! so Hastings enlists Poirot (who is a Belgian refugee conveniently refugee-ing in the same village, boy is England small) to catch the murderer. But surely the killer is just her much younger husband (described as basically having the style sense of Rasputin) who stands to inherit everything, right? But could it be that simple? Missing coffee mugs and forced locks and the farmer's wife must all be sorted before Poirot can get to the bottom of who killed poor, rich Mrs. Inglethorp.

And the nominees for best supporting character are...
POISON! Agatha put her wartime pharmacist chemistry skills to great use in this book. You'll never think of bromide in the same way...(assuming you've ever thought of bromide. YOU WILL).

Poirot's Belgian Roommates: They make a very brief appearance (mostly just to tell Hastings that Poirot isn't home), but one has to stop and wonder....did they keep a chores calendar?

Hastings' Love Life: Darling Arthur falls in love with no less than two women in this book. This is not an isolated incidence.

Hefty Cross-Examination: Move over, The Good Wife, there is a new sheriff in town and his name is Sir Ernest Heavyweather, K. C. (aka early 20th century British for attorney).

Scraps of Paper! Please see the actual example below:
(image found here)

The YOA Treatment:

Styles is the first time we are introduced to Poirot and his uber-methodical process of sleuthing. Agatha doesn't give us too much detail about the Poirot origin story in this case, beyond telling us he a) is a bit on the older side, b) was a big deal in the Belgian police force back in the day, and c) he is a major neat freak. We are also given a delightful first taste of the Poirot Way of Solving Crime. While he does a bit of CSI stuff (collecting fragments of thread, collecting coffee samples for analysis, and picking a lot of stuff up with tiny tweezers), Poirot is most fond of enumerating interesting tidbits in his head to let his "little grey cells" do the hard work. "We will arrange the facts, neatly, each in his proper place," he says to Hastings, while scribbling in a notebook. 

But while Poirot prefers order and method, he isn't too high brow to ignore the good old gut feeling. In Styles Poirot talks about feeling something in your "heart of hearts!" and trusting your instincts. And Poirot isn't the only Agatha detective who relies on intuition when it comes to crime. Check back on Monday (January 11th) for our post on The Secret Adversary, which features a lot of #gutfeeling, and a whole lot of ADVENTURE!

*Extra Bonus Points: This great post about Styles becoming a Penguin paperback on A Penguin a Week blog.

- A